Jassi had been the volunteer lighting designer at the Jasper Community Theater for a few years, most of which had been spent trying to convince them to spell the word theatre correctly. She’d started her professional life as a lighting designer before various twists and turns had led her off of that path and onto more stable ones.
While working for an experimental dance theatre in DC, Jassi had been given free reign to indulge her artistic inclinations. As long as there was side light to elongate and define the dancers’ forms, she could do pretty much anything she wanted. This experience had spoiled her for the real world where most people just wanted to see things that looked exactly like other things that they’d seen before. This was no more evident than in the world of community theater.
Despite the presence of scripts, usually from well-known and easily marketable properties, community theater shows were more like pageants. They were a way for people in otherwise drab lives to show off their talents so their friends and family would stroke their egos. The worst parts for Jassi were the so-called production meetings.
These meetings were usually convened at the nearby Applebee’s and they were presided over by the theater’s artistic director, Franklin L. Darlington. He’d come upon his position by donating piles of money to the theater. So much, some said, that he had it in his contract to have the theater building named for him after he passed.
Jassi had slowly grown to despise this pretentious twat to his very core. His fake, old-south accent and fiddle-dee-dee approach to theatre angered her so much that she refused to quit. Instead, she stuck around to challenge his ignorant preconceptions about the stage at every turn. She corrected his terminology, pronunciations, and even some of his stage directions. You’d have thought he’d have fired her, but he couldn’t. Jassi had enough board members in her pocket from helping with their children’s school productions, that there was no way for Franklin to get rid of her. They remained in a dreadful stalemate until one October evening.
They were producing a highly truncated version of Macbeth for Halloween season. Franklin had seriously gutted the production by editing the bard to death and inserting some of his own dialogue to patch over the inconsistencies he’d created in the process. It was, as they say, a train wreck.
At the last production meeting before tech rehearsal, Franklin brought up Lady Macbeth’s sleepwalking scene, telling Jassi that he insisted it be “bathed in blue light.”
Jassi immediately turned on the director with a grimace. “And why is that, Franklin?”
“Because, my dear, night is blue. We all know it and we all recognize it when we see it. Now, on to the poster design…”
Jassi’s ears rang with heat and hatred. They’d had this same argument time and time again and it was no easier to stomach now than it had been the first time. Jassi had explained to Sir Twattington that blue light had become a convention for lack of better options. The fact was that human night vision captured very little color detail and this was often emulated with the use of pale blue lighting gels. Her argument had always been that night, in fact, was as colorful as daytime and could be dimly lit in a way that emphasized the artistic impetus that drove the scene. She secretly suspected that Franklin didn’t know what impetus meant, but whatever the reason, he’d stuck to his guns with his feeble truism, “Night is blue.”
In the past, Jassi had tried to win the man over, but he had shown that he would not be swayed. “Night is blue” was his only argument and he repeated it ad infinitum when he saw that it got a rise out of her.
After the Applebee’s meeting, Franklin drove home in his Volvo station wagon and stumbled to his bed. He thought he’d probably had one too many appletinis as he belched up an acrid fake apple taste. He took off his clothes and fell into his bed. It was only after he’d laid there for a few minutes that he noticed a curious blue glare outside his bedroom window. As sleepy as he was, something about the light was annoying him and keeping him one step away from the blissful slumber he so craved. He got out of bed and opened the blinds only to find…nothing. The light from the street light outside was as garish as usual, but it certainly wasn’t blue. Franklin concluded that his appletini-addled brain must have been playing tricks on him.
He crawled back into bed only to awaken once again to the garish blue glare. It was like it was burning into his brain by way of his retinas. He leapt up and opened the blinds again only to find nothing there. Nothing blue, at least. He immediately thought of Jassi. This had to be some bullshit prank designed to drive him insane. He needed his rest! He had a tech rehearsal tomorrow night!
For a third time, he laid down but this time he didn’t close his eyes. He kept them focused on the blinds and he waited. When the blue glow began to creep up again, he quietly got up and walked out to his front door. He slung the door open and shouted, “AH-HA!” but no one was outside the house and no blue glow could be seen. Dejected, Franklin closed the door, locked the deadbolt, and angrily slithered back to bed where he struggled to get more than ten minutes of shuteye at a time.
Tech rehearsal was scheduled to begin at 7PM sharp. The show, while no longer the three hour original, was still chock full of light and sound cues. Trouble was, Franklin was nowhere to be found. The stage manager had called everyone she could think of in a vain effort to track him down, but he could not be found.
Jassi, being the take-charge woman she was, decided to plow ahead. They had a dress rehearsal tomorrow and a preview performance the day after that. They couldn’t lose this night to a wayward director. She took charge of the rehearsal and worked through all the inevitable bumps in the road. They made it all the way to the sleepwalking scene when Franklin burst into the theater and ran down the aisle screaming, “Oh, Night is blue! Night is blue! Macbeth, the night is blue!”
Jassi stood, ripping her headset off her head, not quite believing what was happening. The stage lighting was so dim that she could barely make out the figure of the director as he haphazardly stumbled down the aisle.
“Stop! Franklin! The pit!” That was all she had time to shout before Franklin’s voice became a scream and then was silenced.
“No one move!” shouted Jassi. She grabbed her headset and had the house lights turned on. Gasps erupted from the stage.
Jassi looked down into the orchestra pit to see Franklin’s twisted, lifeless body crumpled at the bottom. She’d lowered the pit earlier that day so she could mount extra lights down there to enhance the otherworldly look of the sleepwalking scene. If the light had to be blue, at least the lighting angle would be unusual. She’d had the house manager put stanchions around the open pit and had instructed him to mount the permanent wall the next day before the cast arrived. Unfortunately, that would be one day too late for Franklin.