Whatever Happened to Thanksgiving Season?

 
 

Once upon a time, Thanksgiving was a holiday all its own. I remember my mom even putting up Thanksgiving decorations, the likes of which are probably only seen at a few elementary schools these days. We had die cuts (some of which would now be highly offensive), tissue paper turkeys, and lots more. I think we even had a cornucopia with autumn flowers in it. But that’s not the point. The point is that we actually celebrated Thanksgiving as it’s own holiday.

This weekend, I watched a few college football games. If you judged solely based on the commercials seen, you’d think we were in mid December instead of early November. Everything was Christmas, Christmas, Christmas, which makes no sense when it’s still nowhere near wintertime. I’m okay with the winter holidays, but I’d appreciate it if we could contain them within the winter season, or at least December.

Thanksgiving is getting smashed like a disused mall just because it’s in the way of the moneymaking machine that is the Christmas season. It used to be the starting line for Xmas - now Halloween is. As soon as Halloween wrapped up, my local Target had completely eradicated it in favor of fir trees and jingle bells. What was so weird was that it practically happened overnight. It took their slow-ass staff most of October to eek out their Halloween section in fits and starts, but that Xmas department was up and running in microseconds as soon as the jack-o-lanterns were extinguished. Ready…Aim…Xmas!

What’s wrong with relaxing and giving Thanksgiving its due? Autumn is my favorite time of year, so why not enjoy it? I plan to.

The Yule Goat

 
 

The amazing Yule Goat costume pictured above was crafted by a Swedish artist who goes by the name of Nymla. You can find more of her work here.

The Yule Goat is a Scandinavian tradition that dates back to pagan times. If you visit Ikea this time of year, you’ll see plenty of Yule Goats on display. Lots of different traditions have grown up around the Yule Goat and many are still practiced to this day.

According to Wikipedia, “In a Scandinavian custom similar to the English tradition of wassailing, held at either Christmas or Epiphany, young men in costumes would walk between houses singing songs, enacting plays and performing pranks…The group of Christmas characters would often include the Yule goat, a rowdy and sometimes scary creature demanding gifts.”

Sound familiar? Even today, there is a tradition called Julebukking wherein people dress in disguises and go house to house at Christmastime. If residents can identify the costumed people, they’re let off the hook, but if they can’t, they’re obliged to produce some goodies for them.

Check out this video of Nymla’s excellent Yule Goat costume in action.

 
 

A Tale of Two Grinches

 
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Dr. Seuss’ How The Grinch Stole Christmas was first published in 1957 by Random House. The pen and ink illustrations that accompany the work’s poetic narration helped to solidify it as a Christmas hit, but it wasn’t until it was adapted to film that it became synonymous with the holiday for many.

The original film version was produced by a very small team which consisted almost entirely of power hitters from top to bottom. Director Chuck Jones, whose resume contains some of the funniest animated films ever made, kept the production lean and stacked the deck with many of his cohorts from his Looney Tunes days. The end result is a short film that amplifies and in many ways improves upon Ted Geisel’s source material.

The entire text of the original book makes up the “screenplay” with songs and additional visual business added to pad out the 26 minute run time. It was Jones’ idea to turn the book into a TV special and it was only his prior working relationship with Geisel that convinced the author to sell the rights.

It’s clear that Jones had a vision for the short film from the word go. The design work clarifies and simplifies Geisel’s art and energizes it with a bold color palette. The film is an exercise in minimalism, where every single movement in frame is made important.

The decision to cast Boris Karloff as the narrator and the voice of the Grinch seems obvious now, but Karloff was considered to be a has-been at the time. His inspired performance raises the animated fare to the state of art. Apparently his casting was entirely Jones’ idea since he was a huge fan of the horror actor. According to the Hollywood Reporter, “It was a difficult time for Karloff — the horror star was 79 and wracked by emphysema. He would die three years later. However, Grinch earned him a children's recording Grammy, his only major award.”

Jones also cast Thurl Ravenscroft to sing the title track. Ravenscroft is best known by many as the voice of Kellogg’s cereals’ Tony the Tiger, but horror fans will know him for his work as one of the singing busts in the graveyard at Disney’s Haunted Mansion.

The lone remaining voice artist was June Foray, who voiced Cindy Lou Who. June was one of the very few voice actors to hold her own alongside Mel Blanc in Looney Tunes cartoons and is best known as the voice of Rocky the Squirrel.

Equally important to the success of the special was the music by Albert Hague that runs almost continuously for the entire 26 minutes. His other scoring work may not be as memorable, but many would recognize him onscreen as the teacher Shorofsky in the film Fame and it’s subsequent TV series. I defy you to think of the Grinch and not have “You’re a Mean one, Mr. Grinch” immediately begin playing in your head. You’ve probably been humming it while you read this.

Studios continue to bank on the Grinch property every few years but the newer films all feel like roast beasts - overstuffed and overcooked. The Jim Carrey version was absolutely stomach churning. No, there’s only ever going to be one true Grinch on film - the one created by Chuck jones.

The Package

 
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Mrs. Griffin had worked as a mail carrier in Middleton for most of her adult life. She liked the regular hours and the fact that she wasn’t stuck in an office all day. She’d spent one summer clerking at the post office and she’d immediately applied to be reassigned. Out on the road, she was on her own. There were no bosses and no whiney customers. People were usually happy to see her. The only downside to the job was Christmas.

Every December, the job turned into a nightmare of long hours, heavy lifting, and rude patrons. Her first Christmas as a mail carrier had been tolerable. She might have even said it was invigorating, but as each year passed, the Christmas season became more of a burden than a joy.

It was a cold December day when she had to return to the station for her third load of packages in the gathering darkness. She called her family to let them know that she was going to be late for dinner…again. She sighed and turned up the heater in the little mail truck. At least the streets had been plowed.

That whole “neither sleet nor snow” thing was yet another big Christmas downer for Mrs. Griffin. Her customers liked to cite it as if it were the word of the mail gods. Fortunately, snow wasn’t an issue on this brisk night. It had snowed hard the night before, so the day had that quiet feeling of being wrapped in blankets. It was nice until Mrs. Griffin had to get out and trudge through the stuff that people hadn’t shoveled off their walks.

The evening went fairly smoothly and Mrs. Griffin surprised even herself by humming a few Christmas tunes. She was particularly fond of Smokey Robinson’s Christmas Everyday even though she didn’t wish for any such thing.

She pulled over and opened the back of the truck. There was only one package left and it was a small one. Great! She was ready to eat dinner and try and forget about the route for a few hours.

Mrs. Griffin picked up the box and found it to be surprisingly heavy despite the fact that it was only as large as a couple of paperback books. She’d long since passed the point where she wondered about what the boxes she delivered contained. She just eyed the label. 4653. The Millers.

She closed the door to salvage what little heat was left inside her truck and she marched toward the Miller place. The house was dark, so she approached the mailbox. It was one of the old, loaf-shaped boxes on a post. It would be plenty big enough to hold the little box.

Mrs. Griffin grabbed the metal handle and pulled. The door opened with a creak and she plopped the package inside. She was about to close the door when a voice inside the mailbox said, “Wait, Robin Griffin, wait.”

“Oh, no. Uh-uh,” said Mrs. Griffin. “I ain’t got time for no pranks.” She leaned into the mailbox and spoke loudly. “Can you hear me? Who is this? Frank, did Lonnie put you up to this? He ain’t funny and neither are you.”

She slammed the mailbox shut and strode back to her truck. Of all the nerve! She was pulling away when she reconsidered. What if the Millers opened that package and complained? It was one thing to prank a mail carrier, but there were strict rules about dealing with customers. Besides, that mailbox was technically government property. There were even fines for its misuse.

Mrs. Griffin sighed. That Lonnie was going to pay for this. She turned her truck around and returned to the Miller house. She stomped over to the mailbox and opened it but there was no package inside. Huh? Mrs. Griffin reached inside but the mailbox was empty.

She looked down at the snow covered ground. Maybe she’d accidentally knocked the package out of the mailbox when she slammed the door. She wasn’t sure how that could even happen, but the little box had to be somewhere. She even looked a second and third time to convince herself. After thoroughly canvassing the area, she gave up. Maybe some package thief had seen her drop it off and had rushed in to grab it. If so, they were going to get quite a surprise.

Mrs. Griffin chuckled as she opened the door to her mail truck, but she froze when she saw the package addressed to the Millers sitting right in the middle of the driver’s seat. She looked up and down the street but it was a silent night. There wasn’t even any traffic. What was going on?

Snow began to fall as Mrs. Griffin stood beside her truck and stared at the box. There was no way that anyone had placed it there without her seeing them. No way. At the very least, she would have heard them opening and closing the mail truck door. It slid along a track that squealed like a multitude of the heavenly host whenever it was opened or closed.

The snow picked up as Mrs. Griffin struggled to understand her situation. It was just a box, right? Just a prank? Then why was she so freaked out right now?

She went around to the back of the truck and opened the gate. She grabbed one of the beat up, white, mail containers and walked back to the driver’s side of the vehicle. She turned the basket upside down and put it over the package, then she pulled it toward her. There was a thump and then…nothing. Mrs. Griffin looked at the container in her hand and then back at the driver’s seat. The package wasn’t on the ground, so it must have fallen off the edge of the seat and slid underneath. Holy crap, how was she ever going to explain all of this when she got home?

Mrs. Griffin stooped low and tried to look underneath the seat but it was too dark, even with the dome light on in the mail truck. She was going to have to reach in and feel around for the package.

She stood up and pulled one of her gloves out of her coat pocket. After slipping it on, she got on her knees in the snow and reached into the dark space under the seat. She felt around for the troublesome package but all she found was a hard gummy bear covered in grit. Ugh. The package was gone.

With a frustrated sigh, Mrs. Griffin struggled back to her feet and looked around the snow-covered area one last time. She glanced at her watch. Her kids were going to watch the Grinch tonight just like she’d done as a child. She smiled to herself and stood in the crisp, new snow admiring the silence.

That silence was broken by a tremendous flash of light that was followed by a long, rumbling roar. It came from just up ahead, so Mrs. Griffin jumped in her truck and took off. The missing package was all but forgotten.

About a half mile away, she pulled up to see that a massive fire had engulfed a warehouse. Mrs. Griffin could feel the heat from inside her mail truck. Several cars on the street outside were already burned beyond recognition and one had apparently exploded. She could hear the sirens in the distance so she knew someone had already called 911. The local businesses were empty so there really wasn’t anyone to rescue. The fire department would handle putting out the blaze.

Mrs. Griffin looked at the torched cars and breathed a sigh of relief. It would have sucked to have been driving by there just as that huge explosion happened. She was happy she’d missed it, but that didn’t stop her from pulling out her phone and snapping a couple of pics. Jim and the kids would have certainly heard the commotion and would want to know what happened.

The fire trucks pulled past the little mail truck and one of the firemen jumped out and motioned for her to get clear as he placed cones in the road. She waved her thanks, turned her truck around, and took the long way home.

Marley's Ghost

 
1843 Illustration by John Leech

1843 Illustration by John Leech

 

“There'll be scary ghost stories, And tales of the glories of Christmases long, long ago.”

-From "It's the Most Wonderful time of the Year" by Eddie Pola and George Wyle

Before the Catholic church usurped winter solstice celebrations in favor of their Christian agenda, the solstice was a time for ghost stories. It was literally the darkest time of the year, so it makes sense that tales of the undead would continue well beyond Samhain.

Charles Dickens published A Christmas Carol in 1843, and with its tremendous success came a resurgence of this age old tradition. The scariest ghost from that seminal work was Jacob Marley. While the silent figure of the Ghost of Christmas Future may resonate with many as the personification of death, it’s Marley’s ghost who represents the fear of endless suffering in the world beyond as payback for misdeeds on Earth.

If you look at Scrooge closely, you’ll notice that he never spends money on comfort or fun or helping others, choosing instead to hoard it for no apparent reason except to keep others from having it. He applies his strict code of unethical ethics to others, accusing them of being lazy half wits who lack resources because they don’t work hard enough for them.

This approach to life is clearly rebuffed by Dickens in the example of Jacob Marley. Marley’s money is chained to him in the afterlife, weighing him down and locking him to the Earthly plane where he is left to wander in misery forever. The message Marley delivers to Scrooge is perhaps the only truly generous act he will ever perform.

Dickens was only 31 years old when he wrote A Christmas Carol. He went on record stating that his motivation was no less than irrevocable change to British society. He saw the state of the poor in industrialized London and he wanted to reduce the ever-growing chasm between the decadent lives of the haves and the miserable existence of the have nots.

What’s interesting to me is that Dickens chose to make Scrooge a miser instead of a decadent fop. By making Scrooge a miser, Dickens effectively creates a man who is both protagonist and antagonist because he not only tortures others, he tortures himself. A creature of excess would at least be a self-indulgent partier who would enjoy his wealth. Scrooge forgoes living altogether. I would argue this choice makes the story stronger in some ways, but it also lessens the impact of the political commentary that Dickens sought to promote in the work. I have no doubt that there was more than one type of wealthy industrialist in Victorian London, but I suspect most of them lived quite comfortably.

Back to the ghosts, I suspect we would see more supernatural stories at Christmastime were it not for the success of A Christmas Carol. It may be the most adapted tale in history, having been produced as stage plays, radio plays, TV shows, films, cartoons, operas, ballets, and comic books. It’s the one and only Christmas ghost story in most people’s minds, so it keeps getting adapted over and over again. There are a few volumes of The Valancourt Book of Victorian Christmas Ghost Stories currently in print, but all of those tales are from Dickens’ own time. Isn’t it time for more 21st century Christmas ghost stories?

Haunted Mansion Holiday

photo © Thomas Raven

photo © Thomas Raven

I first visited the Haunted Mansion Holiday at Disneyland in October of 2003 and was truly wowed by the work that had been done to transform the attraction. It was nothing short of amazing. The Imagineers did a great job using The Nightmare Before Christmas’ characters and design motifs in the existing ride. I daresay that if the attraction were being built from scratch today, I could see Disney producing a full time TNBC ride instead of the original Haunted Mansion.

While I’m not in the camp of those who feel that the original rides should never be tampered with, I’ve wondered why didn’t they just build an all-new ride for TNBC and leave my beloved Haunted Mansion alone. This overlay is in place for almost five months every year!

I’d guess the answer is twofold: budget and popularity. The overlay would cost only a fraction of what it would take to build an all-new ride, and in 2004 when this launched, TNBC wasn’t the holiday juggernaut it is today. So why not take the leap now, Disney? We need a Nightmare ride 365 days a year! There’s room for more than one attraction with gothy goodness in each of the parks!